The Artist's Statement Picture Show


Sayat Nova (The Color of Pomegranates), Sergei Parajanov (1968)
Apr 7

Sayat Nova (The Color of Pomegranates), Sergei Parajanov (1968)

(Source: daiseas, via thingsinthesun)

Apr 7

contactprojectjournal:

Mollie McKinley, Existential Marina (excerpt from 20 minute video). On view at the 2012 Brucennial through April 20; 159 Bleeker Street, NYC.

jesuisperdu:

TWIN PEAKS
Apr 7

jesuisperdu:

TWIN PEAKS

(Source: twinpeakscaptioned, via gurldontbedumb)

Apr 3

contactprojectjournal:

CONTACT is honored to present CONTACTinRESIDENCE and April’s Artist-in-Residence, Mollie McKinley, with two recent series, PRIESTESS and DARK SPECTRUM.

About CONTACTinRESIDENCE

Each month one artist will be selected by the CONTACT staff and featured on the CONTACT Journal as an Artist-in-Residence in our virtual space. Making use of the digital platform, this artist will use the CONTACT lens to meditate on their own creative practice. 

IN THE WORDS OF THE ARTIST

A selection of works from two recent series.  PRIESTESS is an ongoing series of site-specific installations and video performances.  The videos present abstracted rituals, wherein mundane objects—such as balloons, ropes, life vests, and fishing nets—aid in the ceremonial dissolution of boundary between ego and nature.  I love playing with contemporary sound to contextualize the timelessness and absurdity of these rituals.  Pop music, ranging from Peggy Lee to Kelly Rowland, is manipulated, distorted, and turned into hypnotic mantra, becoming a surreal totem of ceremonial time in Sun Threshold/Fire Magic.  The deeply textural sounds of water, mud, overhead planes, and distant ATV’s in Existential Marina provide a similar aural totem.

DARK SPECTRUM is comprised of large-format color photographs revealing rituals, symmetries, and hidden places.  The sacred residues within an otherwise profane, secret, or forgotten place. Mischief, longing, and discovery mark the moment of arrival at these mysterious places.  

For CONTACT PROJECT, selections from these two series are presented together, revealing the rhythm and common language that they share.  

Mar 19

Lita Albuquerque’s SPINE OF THE EARTH 2012.

Lita Albequerque: SPINE OF THE EARTH 2012 at Pacific Standard Time, Produced by the Getty Museum

Seminal Los Angeles artist Lita Albuquerque and I had the pleasure of meeting and becoming friends over the course of the Armory Show week in New York recently.  Her  recent piece is a re-interpretation of her original 1980 “Spine of the Earth” (first made in the Mojave Desert), by using 300 people, rather than pigment, in Baldwin Hills Scenic Overlook, Culver City.  She had video footage of the new piece taken from helicopter as well as on the ground. The video performance is incredible; check it out by clicking the link above.  —MM

iceblack:

daniel arsham
Jan 20

iceblack:

daniel arsham

(via sarahmosk)

Dec 1

FRIDAY, DECEMBER 9, 2011 @8PM 464 MAIN STREET, BEACON, NEW YORK The focus of Mollie McKinley’s 2011 program is the human body and transcendence from its physical limitations, whether these limitations correlate directly to the body, to the mind/body connection, or to the spiritual body—thereby raising issues of where the body begins and the mind ends, and vice versa.  The range of responses from the artists’ work range from deeply abstract psychedellic geometries to literal explorations of the body through rituals, examinations, and movement. Read More

Mar 14
“The Transcendent Body + Other Geometries” //GEOFFREY PUGEN//FRANK POLLARD//LEGACY RUSSELL//JOSEPHINE SHOKARIAN//SARAH MOSK//NICA ROSS//& MOLLIE McKINLEY
Mar 14

Geoffrey Pugen’s “Fictional Dance Party,” screening along with his 2010 “Bridge Kids” in the upcoming ASPS.

Mar 14

Chicago artists Sarah Mosk (left) and Frank Pollard (right), for the Dec. 9 screening